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"Solo travel," they say, "is something everyone MUST do in their lives." But how open are we to letting our girls and women travel alone?
“Solo travel,” they say, “is something everyone MUST do in their lives.” But how open are we to letting our girls and women travel alone?
“Traveling alone enlightens, Brightens minds, heightens senses, It’s a better bet than that Goa plan.”
When he goes, its all of that and more, But does she go? Does she even want to go?
“I’d rather go with friends”, “I won’t like it” Are heard far more than a yes with a smile
Is it her? Or is it us? Us, the rest?
Telling her she’s better off home, Better off hanging out with friends, Better off staying in her comfort zone
Stepping out could cause chaos Could let her stay unchecked, Unfiltered, uncensored We don’t want any trouble (well, trouble, danger or rape)
But remember, a step out takes you closer to places Places on the outside, places on the inside On a hill where the sun comes bright Her shining wings can illuminate the world Even enlighten all of us
All the world at her feet, if only we let her go She could use the solace, we could use the lesson.
Header image is a still from the movie Wild
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Many Indian elderly are firm believers in enslaving a daughter-in-law in the name of tradition which is actually a tradition of oppression and not of religious faith.
Albeit, the popular culture has interpreted scriptures as suggesting that Kanyadaan is the supreme form of donation given to someone, the connotation that the word donation alludes to definitely objectifies the girl.
Even when the exegesis justify the act of giving away the daughter, considering it a ritual to mark the initiation of the daughter into her husband’s gotra and her becoming the part of his family tree.
There is no denial of the fact that this initiation is not required on the part of the groom thereby formally denoting the end of the filial ties with the daughter as it was popularly instructed to the bride during the Vidai ceremonies:
"I chose to go out into the remote, wild, unknown, and make it home," says entrepreneur Kiranjeet Ahluwalia Chaturvedi, who owns Birdsong & Beyond.
The story of my mountain home Birdsong & Beyond started taking shape in 2009, on the internet, the way many stories do these days.
My childhood fascination for a life in the Himalayas led to an internship with a central Himalayan NGO instead of a much prized corporate assignment. But when they offered me a full-time job, I refused. I was overcome by fear and a lack of confidence.
My other longings pulled me away – the longing to fit in, to earn validation from others. By my mid-30s, with all the trappings of a middle-class urban life in place, the call of the snows couldn’t be ignored anymore. So I got to work on it with clearer intentions and a stronger sense of what I needed for myself, and why.
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