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Read the prompt, put on your writer's hat, and tell us a story that passes the Bechdel Test, for the Muse of the Month, June 2018.
Read the prompt, put on your writer’s hat, and tell us a story that passes the Bechdel Test, for the Muse of the Month, June 2018.
In 2017, we had a very successful Muse of the Month series that culminated in an ebook that you can buy here (titled When Women Speak Up!) with the top 19 stories of the year, which are examples of the raw, untapped talent that we have among us.
In 2018, we come back with a new Muse of the Month series, that focuses on stories that pass the Bechdel Test. (Yes, we know this test is mostly for movies, but duh, we’re appropriating it for stories, too!) Effectively,
Every month, we will give you an unusual prompt, a slightly open ended one, so that you can set your imagination wild – but within certain rules.
Step 1. Read our prompt, and put on your thinking hat. “Hmm…what can I write on this?”
Step 2. Write your own story. (But of course!)
Step 3. Send your work to us. Please email it to [email protected] with ‘Muse of the month – June 2018’ in the subject line, and your story as a word/txt attachment. Do include the name we should use if we publish it, and a brief introduction of yourself (2-3 lines) in the mail.
Please note: Given the number of entries received, we won’t be able to respond to each one, but every single entry is being read through very carefully and is much appreciated.
Please send in your stories by Monday, 11th June 2018, 3 p.m. IST. The 5 best stories will be published on Women’s Web between the 18th and 25th of June 2018, one on each day.
~The material should be previously unpublished elsewhere. (Copyright stays with you and you’re free to subsequently publish it elsewhere).
~The story should pass the Bechdel test. (Please read details of Bechdel test above.)
~Keep it between 250 and 2000 words. Please keep this in mind; in past editions, we have had to disqualify some good entries purely due to word count issues.
~Please avoid typing the story as inline text. Send it as an attachment only.
~The winners cannot publish their story in whole anywhere else. They are, of course, free to publish an excerpt with a link back to the story on Women’s Web.
The 5 best entries will each win an Amazon voucher worth Rs 250. Plus, the winner automatically qualifies to compete to be one of the top few winners at the end of 2018!
Do not forget to send in your entries by Monday, 11th June 2018, 3 p.m. IST.
Header image source: pixabay
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What I loved was how there is so much in the movie of the SRK we have known, and also a totally new star. The gestures, the smile, the wit and the charisma are all too familiar, but you also witness a rawness, an edginess.
When a movie that got the entire nation in a twist – for the right and wrong reasons – hits the theatres, there is bound to be noise. From ‘I am going to watch it – first day first show’ to ‘Boycott the movie and make it a flop’, social media has been a furore of posts.
Let me get one thing straight here – I did not watch Pathaan to make a statement or to simply rebel as people would put it. I went to watch it for the sheer pleasure of witnessing my favourite superstar in all his glory being what he is best at being – his magnificent self. Because when it comes to screen presence, he burns it, melts it and then resurrects it as well like no other. Because when it comes to style and passion, he owns it like a boss. Because SRK is, in a way, my last connecting point to the girl that I once was. Though I have evolved into so many more things over the years, I don’t think I am ready to let go of that girl fully yet.
There is no elephant in the room really here because it’s a fact that Bollywood has a lot of cleaning up to do. Calling out on all the problematic aspects of the industry is important and in doing that, maintaining objectivity is also equally imperative. I went for Pathaan for entertainment and got more than I had hoped for. It is a clever, slick, witty, brilliantly packaged action movie that delivers what it promises to. Logic definitely goes flying out of the window at times and some scenes will make you go ‘kuch bhi’ , but the screenplay clearly reminds you that you knew all along what you were in for. The action sequences are lavish and someone like me who is not exactly a fan of this genre was also mind blown.
When Jaya Bachchan speaks her mind in public she is often accused of being brusque and even abrasive. Can we think of her prodigious talent and all the bitter pills she has had to swallow over the years?
A couple of days ago, a short clip of a 1998 interview of Jaya and Amitabh Bachchan resurfaced on social media. In this episode of the Simi Grewal chat show, at about the 23-minute mark, Jaya lists her husband’s priorities: one, parents, two kids, then wife. Then she corrects herself: his profession – and perhaps someone else – ranks above her as a wife.
Amitabh looks visibly uncomfortable at this unstated but unambiguous reference to his rather well-publicised affair with co-star Rekha back in the day.
Watching the classic film Abhimaan some years ago, one scene really stayed with me. It was something Brajeshwarlal (David’s character) says in troubled tones during the song tere mere milan ki yeh raina. He says something to the effect that Uma (Jaya Bhaduri’s character) is more talented than Subir (Amitabh Bachchan’s character) and that this was a problem since society teaches us that men are superior to women.
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