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Kalank is a patriarchal narrative driven by aesthetics and heightened emotions but with that, it indeed has some strong women characters.
After watching the visually delightful trailer and the beautifully choreographed song Ghar More Pardesiya, Kalnak was a movie that a lot of people were looking forward to watch.
*Alert: minor spoilers
The story, which is a love triangle, pretty much revolves on the background of the Partition and the Hindu – Muslim divide. The movie is a visual delight, though the narrative of the film is complicated and tangled, especially as the script moves between realism and fantasy, often confusing the audience about which side to lean on. The visual effects are not always pleasing, limiting this movie to a one time watch.
But despite all of this “khichdi”, one can’t ignore how well the three major women characters are portrayed by Sonakshi Sinha, Alia Bhatt and Madhuri Dixit.
This entire plotline is given its starting shape by our first female lead Satya played by Sonakshi Sinha.
Satya is the “aadarsh – sanskari” daughter-in-law of the rich and reputed Chowdhary family. She is dying of cancer, but is even strong enough to search for a second wife for her husband Dev.
The character of Satya is shown to be selfless, and the ‘sacrifice’ that she does for love makes her admirable in the patriarchal society that she is a pillar of – it is shown that it’s her duty that her husband stays happy even after her death. This raises many questions about the type of society we live in.
The second strong female character in the film is Roop played by the very elegant Alia Bhatt.
Roop is the second wife of Dev. She is young and feisty but is emotionally blackmailed into a loveless marriage, but despite this dependent position, she imposes her will on the rich Chowdhary family to learn music.
The character of Roop portrays the idea that marriage is not the end of life for a woman. She falls in love with a man outside of her marriage, and her struggle with the choices breaks societal norms. She asks many questions about things that a lot of women face – about choosing what their heart desires, baseless societal norms, the happiness of a woman, and most importantly why is falling in love with someone outside of marriage a ‘Kalank’ only for a woman.
Bahaar Begum who is played by Madhuri Dixit is the third strong character in this film full of beautiful people and exquisite clothes. She is a courtesan who stopped dancing due to some reason and now gives singing lessons. It is later revealed in the movie is that she fell in love with a married man, and conceived a child from him, whom she decided to bear. Unfortunately, when he did not ‘accept’ her, she abandoned the child.
We feel a connection with Begum and the mistakes that she does. Bahaar Begum is a beautifully written character which encourages the ladies out there to accept their mistakes and forgive themselves.
I read, I write, I dream and search for the silver lining in my life. Being a student of mass communication with literature and political science I love writing about things that bother me. Follow read more...
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UP Boards Topper Prachi Nigam was trolled on social media for her facial hair; our obsession with appearance is harsh on young minds.
Prachi Nigam’s photo has been doing the rounds on social media for the right reasons. Well, scratch that- I wish the above statement were true. This 15-year-old girl should ideally be revelling in her spectacular achievement of scoring a whopping 98.05% and topping her tenth-grade boards. But oddly enough, along with her marks, it’s something else that garners more attention – her facial hair.
While the trolls are driving themselves giddy by mocking this girl who hasn’t even completed her school yet, the ones who are taking her side are going one step ahead – they are sharing her photoshopped pictures, sans the facial hair, looking nothing less than a celebrity with captions saying – “Prachi Nigam, ten years later”.
Doctors have already diagnosed her with PCOD in their comments, based on photographic evidence. While we have names for people shamed for their weight – body shaming, for their skin colour- racism, for their age- age shaming, for being a female- sexism, this category of shaming where one faces criticism for their appearance has no name. With that, it also has zero shame attached to it.
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