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Kangana Ranaut is a force to reckon with, no matter what you feel about her; known for taking on the bigwigs of the industry for nepotism.
The big news on social media yesterday was that Kangana Ranaut was reinstated on Twitter, nearly two years after being de-platformed.
There was a time when Kangana was not active on Twitter. Then when she was, she was either promoting her films or picking pangas (meaning fights; pun intended). We look at Kangana’s journey and at her upcoming project based on Indira Gandhi.
Hello everyone, it’s nice to be back here 🙂 — Kangana Ranaut (@KanganaTeam) January 24, 2023
Hello everyone, it’s nice to be back here 🙂
— Kangana Ranaut (@KanganaTeam) January 24, 2023
She started out with this rather anodyne tweet after nearly two years of being off Twitter. Her fans were ecstatic to have her back; so were her opponents and sparring partners.
Welcome back Queen ❤️❤️pic.twitter.com/iMwVjo7aE9 https://t.co/VOOvYzgpGM — High Blood Pressure (@thetwinkwolff) January 24, 2023Never miss real stories from India's women.Register Now
Welcome back Queen ❤️❤️pic.twitter.com/iMwVjo7aE9 https://t.co/VOOvYzgpGM
— High Blood Pressure (@thetwinkwolff) January 24, 2023
Fans recalled Ranaut’s brilliant performances in films like Queen, Tanu Weds Manu, Rangoon, when she was reportedly (and correctly) paid more than her male co-stars as well as movies like her early Fashion which she did before she even turned 20. We knew early on that this was a powerhouse of talent that had arrived on the Hindi movie firmament.
4 years of @ManikarnikaFilm truly movie which gives us the essence of the sacrifices made by our ancestors so that we could live in a free country. how a young girl who turned into queen,broke all stereotypes while making all the sacrifices for the motherland.#KanganaRanaut pic.twitter.com/BcoZkqfRZb — kangana admirer (@kanganaadmirer) January 25, 2023
4 years of @ManikarnikaFilm truly movie which gives us the essence of the sacrifices made by our ancestors so that we could live in a free country. how a young girl who turned into queen,broke all stereotypes while making all the sacrifices for the motherland.#KanganaRanaut pic.twitter.com/BcoZkqfRZb
— kangana admirer (@kanganaadmirer) January 25, 2023
Her unconventional roles in films like the very quirky Revolver Rani, as well as other films like Judgemental Hai Kya, Simran, Manikarnka and Thalaivi were all unusual in that they were women-centric films in a still overwhelmingly male-dominated industry.
#bycottkarnjohrgangmovie #Nepotism #Kangana #nepotisminbollywood Waiting for Hindustani bhau to speak on this topic (open image) pic.twitter.com/zTNJS2XUPG — ♛𝙈𝙍. 𝙈𝙀𝙈𝙀 𝙒🅰️𝙇𝘼™ 🇮🇳 (@mr_memewala_) June 15, 2020
#bycottkarnjohrgangmovie #Nepotism #Kangana #nepotisminbollywood Waiting for Hindustani bhau to speak on this topic (open image) pic.twitter.com/zTNJS2XUPG
— ♛𝙈𝙍. 𝙈𝙀𝙈𝙀 𝙒🅰️𝙇𝘼™ 🇮🇳 (@mr_memewala_) June 15, 2020
This gutsy woman went on Karan Johar’s show and called him the ‘flagbearer of nepotism’; an absolutely fair charge. However, after a while, her belligerence seemed misplaced. Her continual self-projection as an outsider seemed inauthentic given her that she was now a successful member of the film industry with means and considerable clout.
Ranaut had my admiration as a talented actor, a fearless woman speaking up in a nepotistic male-dominated industry and as someone seen to be championing women’s rights. However, as she grew more and more belligerent politically, my admiration waned. It disappeared when she said this about Indira Jaisingh, one of India’s most respected and senior women lawyers. To my mind statements like this defeat the collective cause of women. She has made other combative and derogatory statements in respect of other women actors, which again, to my mind are unnecessary and detrimental to the larger cause of women everywhere.
Ooo Karan johar ke paltu, jo dadi Saheen Baag mein apni citizenship keliye protest kar rahi thi wohi Bilkis Bano dadi ji Farmers ke MSP ke liye bhi protest karti hue dikhi. Mahinder Kaur ji ko toh main janti bhi nahin. Kya drama chalaya hai tum logon ne? Stop this right now. https://t.co/RkXRVKfXV1 — Kangana Ranaut (@KanganaTeam) December 3, 2020
Ooo Karan johar ke paltu, jo dadi Saheen Baag mein apni citizenship keliye protest kar rahi thi wohi Bilkis Bano dadi ji Farmers ke MSP ke liye bhi protest karti hue dikhi. Mahinder Kaur ji ko toh main janti bhi nahin. Kya drama chalaya hai tum logon ne? Stop this right now. https://t.co/RkXRVKfXV1
— Kangana Ranaut (@KanganaTeam) December 3, 2020
After a point Ranaut seemed more interested in directing her belligerence towards anyone with different political alignments than hers. She trained her sights on women protestors and in the process succeeded in riling up a whole other demographic.
Kangana Ranaut is back on twitter. Is the platform slowly shaking off the choke hold put on it by Janus faced, virtue signalling, self-appointed super censors who masquerade as champions of free speech? — Rahul Shivshankar (@RShivshankar) January 24, 2023
Kangana Ranaut is back on twitter. Is the platform slowly shaking off the choke hold put on it by Janus faced, virtue signalling, self-appointed super censors who masquerade as champions of free speech?
— Rahul Shivshankar (@RShivshankar) January 24, 2023
Fans and media persons who are largely politically aligned with Ranaut feel that her ouster from Twitter was unfair and that she was rightly brought back.
pic.twitter.com/Jp7aHIjPXq — ᴛʜᴇ ᴍᴏɴᴋ ᴡʜᴏ sᴏʟᴅ ʜɪs ғᴀᴋᴇᴇʀɪ (@puntinational) January 24, 2023
pic.twitter.com/Jp7aHIjPXq
— ᴛʜᴇ ᴍᴏɴᴋ ᴡʜᴏ sᴏʟᴅ ʜɪs ғᴀᴋᴇᴇʀɪ (@puntinational) January 24, 2023
Queen Is Back On Twitter @KanganaTeam. Should We Ready For #Emergency? A Warm Welcome and Expecting Full Fire 🔥#KanganaRanaut pic.twitter.com/fkZD5FB4DL — Ashwani kumar (@BorntobeAshwani) January 24, 2023
Queen Is Back On Twitter @KanganaTeam.
Should We Ready For #Emergency?
A Warm Welcome and Expecting Full Fire 🔥#KanganaRanaut pic.twitter.com/fkZD5FB4DL
— Ashwani kumar (@BorntobeAshwani) January 24, 2023
Kangana Ranaut stars in and directs Emergency, her next film. She plays Indira Gandhi in the film with a self-explanatory title. I for one am looking forward to watching the film when it releases. I want to see whether Ranaut will be playing a role based on her political leanings or whether we will see in action the actor whose craft I admired so much – before she started to believe in her own myth, that is.
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Rajshri Deshpande, who played the fiery protagonist in Trial by Fire along with Abhay Deol speaks of her journey and her social work.
Rajshri Deshpande as the protagonist in ‘Trial by Fire’, the recent Netflix show has received raving reviews along with the show itself for its sensitive portrayal of the Uphaar Cinema Hall fire tragedy, 1997 and its aftermath.
The limited series is based on the book by the same name written by Neelam and Shekhar Krishnamoorthy, who lost both their children in the tragedy. We got an opportunity to interview Rajshri Deshpande who played Neelam Krishnamoorthy, the woman who has been relentlessly crusading in the court for holding the owners responsible for the sheer negligence.
Rajshri Deshpande is more than an actor. She is also a social warrior, the rare celebrity from the film industry who has also gone back to her roots to give to poverty struck farming villages in her native Marathwada, with her NGO Nabhangan Foundation. Of course a chance to speak with her one on one was a must!
“What is a woman’s job, Ramesh? Taking care of parents-in-law, husband, children, home and things at work—all at the same time? She isn’t God or a superhuman."
The arrays of workstations were occupied by people peering into their computer screens. The clicks of keyboard keys were punctuated by the occasional footsteps moving around to brainstorm or collaborate with colleagues in their cubicles. Most employees went about their tasks without looking at the person seated on either side of their workstation. Meenakshi was one of them.
The thirty-one-year-old marketing manager in a leading eCommerce company in India sat straight in her seat, her eyes on the screen, her fingers punching furiously into the keys. She was in a flow and wanted to finish the report while the thoughts and words were coming effortlessly into her mind.
Natu-Natu. The mellifluous ringtone interrupted her thoughts. She frowned at her mobile phone with half a mind to keep it ringing until she noticed the caller’s name on the screen, making her pick up the phone immediately.
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