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Pulitzer prize-winning journalist Katherine Boo, offers an incisive look into the underbelly of Mumbai through Behind The Beautiful Forevers.
Pulitzer prize-winning journalist Katherine Boo offers an incisive look into the underbelly of Mumbai in Behind The Beautiful Forevers.
By Unmana Datta
The cover of Katherine Boo’s Behind the Beautiful Forevers has this quote from Ramachandra Guha: “The best book about contemporary India, the best work of non-fiction I have read in the past twenty-five years.”
The force of that statement depends, of course, on what else Guha has read in the last twenty-five years; nevertheless, that statement both impressed me and made me wary.
I also admit, I decided to read this book after reading Jai Arjun Singh’s review, but his glowing recommendation, topped by the laudatory quotes from Guha and Amartya Sen on the back cover, made me apprehensive. It would be difficult, I thought, for a book to live up to that kind of hype.
I was wrong. The book is both a well-written novel (with characters, plot, intrigue and suspense) and a brilliant piece of investigative journalism. It was fascinating, and even as a reader of primarily, novels (the few non-fiction books I read seem to languish on my desk, unread or partly-read, for months), I found it difficult to put down.
Behind the Beautiful Forevers is an exploration of Annawadi, the slum near the Mumbai airport. It is a factual account, names unchanged, and it delves into a few interesting characters whose lives intermingle; Abdul, the (probably) teenage sorter of garbage, Asha, the teacher who aspired to be slumlord and politician, Asha’s college-going daughter Manju, who had more wholesome ambitions, Fatima, who is tired of being ridiculed for her disability and, by a rash act to gain attention and power, unleashes turmoil into her neighbour’s lives.
Another character in this book, and a powerful one, is corruption. Boo writes about how corruption both ensures the kind of inequality that guarantees few slum-dwellers would ever be able to move out of poverty, and also grants them small ways to make life liveable. “Corruption,” explains Boo, “was one of the genuine opportunities that remained.”
Every person with the power to influence the lives of these slum-dwellers seems corrupt: the politicians, who are like caricatures from Bollywood movies until you remember these are real people, including Asha, Annawadi’s home-grown small-time flunky to the local corporator. The cops and the special executive officer of the state interested not in justice but in extortion. Even so-called social workers and NGOs seem only to exist to defraud donors of funds and the slum-dwellers of aid.
The slum-dwellers live in pathetic conditions. Annawadi lies next to a sewage lake and every monsoon wreaks havoc. Young children scavenge the street for garbage that they can then sell to the likes of Abdul, who himself lives surrounded by garbage.
The book offers no easy answers. There is no hope then, that Annawadi might become a healthy, happy place. The only hope lies in individuals; in Abdul’s willingness to do his duty, in the honesty of boys like Sunil and Sonu inspite of their devastating childhoods.
Publisher: Penguin Books
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Unmana is interested in gender, literature and relationships, and writes about everything she's interested in. She lives in, and loves, Bombay. read more...
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UP Boards Topper Prachi Nigam was trolled on social media for her facial hair; our obsession with appearance is harsh on young minds.
Prachi Nigam’s photo has been doing the rounds on social media for the right reasons. Well, scratch that- I wish the above statement were true. This 15-year-old girl should ideally be revelling in her spectacular achievement of scoring a whopping 98.05% and topping her tenth-grade boards. But oddly enough, along with her marks, it’s something else that garners more attention – her facial hair.
While the trolls are driving themselves giddy by mocking this girl who hasn’t even completed her school yet, the ones who are taking her side are going one step ahead – they are sharing her photoshopped pictures, sans the facial hair, looking nothing less than a celebrity with captions saying – “Prachi Nigam, ten years later”.
Doctors have already diagnosed her with PCOD in their comments, based on photographic evidence. While we have names for people shamed for their weight – body shaming, for their skin colour- racism, for their age- age shaming, for being a female- sexism, this category of shaming where one faces criticism for their appearance has no name. With that, it also has zero shame attached to it.
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