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Much has been said and written about single mothers, but when it comes to single fathers, there has not been much debates and discussions on it. Being a single father is rather unusual and something rarely heard of.
Our society has a common perception that compared to men, women are better equipped by nature to handle the responsibilies of raising children. But things are changing rapidly and the changing social milieu gets reflected in pop-culture too.
When I first heard about the Bengali movie Baba, Baby O… released in February 2022, I made up my mind to watch the movie simply out of curiosity because of the rather unusual topic it dealt with.
Meghroddur (played by Jisshu Sengupta), the protagonist of the movie, is a man in his forties. He is bachelor and when he failed to find the love of his life even after four decades of existence, he decides to enjoy the bliss of fatherhood instead. So he becomes a father of twin babies through surrogacy.
Later, he meets his love interest Brishti (played by Solanki Roy) at a toy-store where he goes shopping for toys for his children. Brishti, the owner of the toy-store, is in her 20s and she hates kids. Their rather unusual love-story unfolded in the movie.
I found the whole concept of the movie quite interesting and thought-provoking, and I am just going to share the reasons why the movie resonated so strongly with me.
First, the movie is laudable for de-coupling the concepts of marriage and parenthood.
In most mainstream, commercial movies, the lead couple fall in love first, followed by marriage, and then parenthood. But this movie does not follow any such linear narrative. Here the protagonist becomes a “Baba” (father) first. The “O” (the significant other) enters his life much later.
Second, given the fact that the protagonist Megh is a single father, it was kind of expected that he would expect his future wife to be a mother-figure in his children’s lives.
Here, too, the movie strays from the expected narrative. Brishti is a woman who hates children and is least interested in motherhood. But that doesn’t deter Megh from falling in love with her.
The movie highlights that marriage is expected to offer companionship only. Nothing more, nothing less. Even if both the partners are not on the same page regarding parenthood, there’s nothing wrong in it. This is something I absolutely adored about the movie.
Third, it drives home the point that a parent is a parent, biological or not.
To be a good parent, you just need a heart capable of loving unconditionally. There’s nothing biological about it.
Brishti’s mother remarried after her divorce. Her ex-husband, Brishti’s biological father, was an absent father who didn’t want anything to do with his daughter. On the other hand, Brishti’s step-father became successful in being a real father-figure in her life.
Fourth, it debunks the myth that women are natural care-givers. Megh, a man, loves being a father while Brishti, a woman, hates kids. Care-giving has nothing to do with gender and everything to do with individual characteristics.
According to a study by the University of Toronto done in 2016, of the world’s 2-3 billion children, 14% are growing up in a single-parent household. In the US alone, fathers make for 4% of the total single-parent households, shows the US 2015 census report.
Though there isn’t enough data on the number of single fathers in India, it’s not something that is unheard of, yet there’s not adequate portrayal of single fathers in pop-culture. This is why I find the movie “Baba, Baby O…” rather unique.
Overall, I loved the movie for it’s rather modern take on marriage and parenthood. At the end of the movie, I had only one niggling doubt in my mind: can the reverse of the situation depicted in the movie ever happen? Would a man in his 20s ever dare to fall in love with a single mother in her 40s? I’ll definitely love to watch such a movie.
An engineer by education, I am a civil servant by profession. A doting mother. An avid reader. I try my hand at writing as and when ideas tussle inside my head. read more...
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People say that women are the greatest enemies of women. I vehemently disagree. It is the patriarchal mindset that makes women believe in the wrong ideology.
The entire world celebrates International Women’s Day on March 8, 2024. It should be a joyful day, but unfortunately, not all women are entitled to this privilege, as violence against women is at its peak. The experience of oppression pushes many women to choose freedom. As far as patriotism is concerned, feminism is not a cup of tea in this society.
What happens when a woman decides to stand up for herself? Does this world easily accept the decisions of women in this society? What inspires them to be free of the clutches of the oppression that women have faced for ages? Most of the time, women do not get the chance to decide for themselves. Their lives are always at the mercy of someone, which can be their parents, siblings, husband, or children.
In some cases, women do not feel the need to make any decisions. They are taught to obey the patriarchal system, which makes them believe that they are right. In my family, I was never taught to make decisions on my own. It was always my parents who bought dresses and all that I needed.
14 years after her last feature film Dhobi Ghat, storyteller extraordinaire comes up with her new film, Laapataa Ladies, a must watch.
*Some spoilers alert*
Every religion around the world dictates terms to women. The onus is always on women to be ‘modest’ and cover their faces and bodies so men can’t be “tempted”, rather than on men to keep their eyes where they belong and behave like civilized beings. So much so that even rape has been excused on the grounds of women eating chowmein or ‘men will be men’. I think the best Hindi movie retort to this unwanted advice on ‘akeli ladki khuli tijori ki tarah hoti hai’ (an alone woman is like an open jewellery box) came from Geet in Jab We Met – Kya aap gyan dene ke paise lete hain kyonki chillar nahin hain mere paas.
The premise of Laapataa Ladies is beautifully simple – two brides clad in the ghunghat that covers their identity get mixed up on a train. Within this Russian Doll, you get a comedy of errors, a story of getting lost, a commentary on patriarchy’s attitude towards women, a mystery, and a tale of finding oneself, all in one. Done with a mostly light touch that has you laughing and nodding along.
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