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A childhood is stolen, when rain does not invoke playfulness.
“I want the red one”, said nine-year-old girl Mariam, her eyes filled with amusement as we were distributing Eid Clothes to the homeless underprivileged children in the queue.
“I’ll bring that for you, promise”, I tell her and notice an agitated haste in her demeanor. She says, “I must go back. If I don’t leave now, I will fail to sell today’s newspapers and starve.”
It suddenly starts to drizzle. I look out from the window and see the children waiting under the shade. Within a few minutes, I come back with the red dress.
Mariam had left.
First published here.
Image source: Pexels
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People have relationships without marriages. People cheat. People break up all the time. Just because two people followed some rituals does not make them more adept at tolerating each other for life.
Why is that our society defines a woman’s success by her marital status? Is it an achievement to get married or remain married? Is it anybody’s business? Are people’s lives so hollow that they need someone’s broken marriage to feel good about themselves?
A couple of months ago, I came across an article titled, “Shweta Tiwari married for the third time.” When I read through it, the article went on to clarify that the picture making news was one her one of her shows, in which she is all set to marry her co-star. She is not getting married in real life.
Fair enough. But why did the publication use such a clickbait title that was so misleading? I guess the thought of a woman marrying thrice made an exciting news for them and their potential readers who might click through.
Did the creators of Masaba Masaba just wake up one morning, go to the sets and decide to create something absolutely random without putting any thought into it?
Anyone who knows about Neena Gupta’s backstory would say that she is a boss lady, a badass woman, and the very definition of a feminist. I would agree with them all.
However, after all these decades of her working in the Indian film industry, is her boldness and bravery the only things worth appreciating?
The second season of Masaba Masaba (2020-2022) made me feel as if both Neena Gupta and her daughter Masaba have gotten typecast when it comes to the roles they play on screen. What’s more is that the directors who cast them have stopped putting in any effort to challenge the actors, or to make them deliver their dialogues differently.