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Last evening, I saw info about the song release of a new Telugu movie- \”Hi Nanna\”.
This new song \”Idhe Idhe\” is trending on YouTube for music having already garnered 800K+ views, and counting.
The song video is here-
https://www.youtube.com/watch?v=mYyDkpv3TOk
The song has the lead heroine- Mrunal Thakur walking in.
She is definitely a \”Head Turner\”.
Like in fashion shows where we have the \”Show Stopper\”, she walks in and captures everyone\’s instant attention.
Dressed in a black saree and white blouse, she creates magic.
After seeing her, people simply stop and turn their heads and just gape.
She is unmissable.
She is magnetic.
She is amazing.
It is a sweet melodious romantic song beautifully shot by the team.
The camera has faithfully followed all the characters & captured their expressions beautifully.
But, hey!
What is this?
Why the close-up on her features and lingering there for some time?
Had her skin not been shown as above, would the song have lost its essence?
This is the male gaze, isn\’t it?
@masaal_dosa has rightly shared on X, formerly Twitter-
\”A female is presented as an eye candy in cinema, like a visual feast, written by a man, recorded by a man, and enjoyed by a man, that leaves zero space for her agency. She must be disappointed by how far women have come. Now they themselves act as an object for the male gaze\”
\”A female is presented as an eye candy in cinema, like a visual feast, written by a man, recorded by a man, and enjoyed by a man, that leaves zero space for her agency.
She must be disappointed by how far women have come. Now they themselves act as an object for the male gaze\”
— Y🌟 (@masaal_dosa) December 6, 2023
Women have often been treated as \”items/objects/things\” in movies.
Remember the 1990\’s Hindi movie \”Mohra\” song picturised on actors – hero Akshay Kumar and heroine Raveena Tandon in which the hero sings for the heroine-
\”Tu Cheez Badi Hai Mast\”
It means- \”You are an intoxicating object/item/thing.\”
This is the first search result on Google-
Just see the number of views this \”Mast\” song video has garnered!
Like wine, woman too is an item of intoxication?
There are many \”item songs\” in many Indian movies to titillate the audience, especially the front benchers.
Item songs and cheap and vulgar dances act as crowd-pullers and keep the cash registers ringing, correct?
After all, just as Keats had said-
\”A thing of beauty is a joy forever.\”
Does it give great joy to discuss and highlight the item/thing/object and about their items/things/objects e.g. blouse/choli and what lies behind it?
Now, coming back to the sweet melodious romantic Idhe Idhe song.
The camera has captured expressions of the female gaze too.
In fact, the first two characters, who look smitten by the actress, are a cute little girl and a lady.
Next, we have a group of female models too looking at her.
And others – both females and males join too.
Not once, but twice as she seductively sashays along.
That is the female gaze!
In the Idhe Idhe song, as she turned around and glanced at the male behind, I somehow remembered the famous scene from the Hindi movie- \”Dilwale Dulhania Le Jayenge (DDLJ)\”.
As the heroine Simran (Kajol) walks away, the hero Raj (Shahrukh Khan) waits for her to turn around – \”Palat\”.
Raj\’s belief is-
\”If she\’s in love with you, she\’s going to turn around!\”
Just as Paulo Coelho has expressed- Whatever one\’s heart sincerely desires, the Universe conspires!
Simran turns around in DDLJ!
Incidentally, this iconic DDLJ scene has been copied from a Hollywood movie.
Did you know that-
The scene is actually a copy from Clint Eastwood’s Hollywood film ‘In The Line Of Fire’ that released in 1993? DDLJ was released two years later in 1995.
The scene is actually a copy from Clint Eastwood’s Hollywood film ‘In The Line Of Fire’ that released in 1993?
DDLJ was released two years later in 1995.
Eastwood\’s line is –
\”If she looks back, that means she is interested.\”
This IndiaTV news report has extra information about the two scenes.
The Palat scene is quite popular and a similar scene was seen recently in a KDrama too where the hero prays \”Look back, Look back\” and the heroine does!
In all the above references, the actresses are dressed with no show of skin.
The camera focuses on their walking away and then turning around.
And not exhibiting the actress\’s blouse, or show of skin- bare waist, hips, back etc.
The Idhe Idhe song stands out in contrast.
The hero is not praying for her to turn around as the song is playing in the background.
He is simply staring focusing on her vital stats and checking out her curves and is caught in the act – not once but twice by the \”objection of his affection\”.
If the woman was the one hoping for the man to turn around, would the camera have shown the man\’s waist or biceps or other parts of the male anatomy?
Incidentally, the Palat scene was referred to in the Hindi movie- \”Befikre\” with actress Vani Kapoor watching another man. The character played by actor Ranveer Singh tells her – that man would not turn around.
Without taking her eyes off that man and the \”object of her attention\”, she matter-of-factly answers that \”Wishing for turning around was in the 90s. I was just checking his ass!\”
The above is a screen grab from the same scene that can be seen here.
It may be noted that during this scene, the camera is full-time focused on the actress and actor (as above) and not on that other man or his ass.
Recently, the Hindi movie \”Animal\” has reference to the heroine\’s anatomy-
\”You have a big pelvis, you can produce healthy babies.”
It is alarming to note that such scenes and misogynistic dialogues get huge applause and whistles in movie theatres.
I feel such references and crass usage are a huge disrespect to the females.
In a way, we are teaching the public how to behave with women. And that all such is perfectly normal and acceptable.
Movies and media have the power to reach and touch innumerable lives, and to impact society.
Using the words from the Hollywood movie \”Spiderman\”-
\”With great power comes great responsibility\”
Using the words of the above-mentioned \”Animal\” movie dialogue-
\”Movies have a big influence, they must produce healthy after-effects.\”
Movie stars have many fans and followers and great media presence.
If all choose to accept and support irresponsible and objectifying lines and scenes and objectionable gestures, what sort of an influence will they have on society?
Should there be such a focus on female anatomy in the media?
Shouldn\’t all such close-ups of female physical/body assets be stopped?
What do you feel? Please share in the comments below.
A creative explorer. Believes in miracles and the power of words. Independent researcher, PhD, writer, cultural activist, social worker. Orange Flower Award 2019 for Best Use of Twitter for Social Impact- Runner-Up. Geographical Indications ( read more...
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UP Boards Topper Prachi Nigam was trolled on social media for her facial hair; our obsession with appearance is harsh on young minds.
Prachi Nigam’s photo has been doing the rounds on social media for the right reasons. Well, scratch that- I wish the above statement were true. This 15-year-old girl should ideally be revelling in her spectacular achievement of scoring a whopping 98.05% and topping her tenth-grade boards. But oddly enough, along with her marks, it’s something else that garners more attention – her facial hair.
While the trolls are driving themselves giddy by mocking this girl who hasn’t even completed her school yet, the ones who are taking her side are going one step ahead – they are sharing her photoshopped pictures, sans the facial hair, looking nothing less than a celebrity with captions saying – “Prachi Nigam, ten years later”.
Doctors have already diagnosed her with PCOD in their comments, based on photographic evidence. While we have names for people shamed for their weight – body shaming, for their skin colour- racism, for their age- age shaming, for being a female- sexism, this category of shaming where one faces criticism for their appearance has no name. With that, it also has zero shame attached to it.
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