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B S Saroja, was born on 18th November 1929, in Thriuvanthapuram, and had acted as a leading lady, sang and produced films in golden days of Tamil cinema.
B S Saroja, was born on 18th November 1929, in Thriuvanthapuram, and had acted as a leading lady, sang and produced films in golden days of Tamil cinema. She acted in multiple Tamil Films like Vikatayogi, Natya Rani, Pandiththevan, Oru Iravu, Koondukkili, Puthumaipithan, Arunagirinathar. She had also exhibited her acting prowess in multiple Indian Languages— Malayalam, Telugu, Kanada and Hindi.
Furthermore, she only studied till fourth standard, after which she joined a circus company she travelled with them all over India.
Her career in the entertainment industry began as a young singer in a chorus at the age of 10 for the Telugu film Bala Nagamma produced by Gemini Pictures. And in the year 1941 she joined the crew of a Tamil Cinema as junior artist and continued acting for the next three decades.
As a child, she was inspired by her violinist grandfather and vocalist mother to sing. And later she developed a love for cinema sets, and it made her happy to be just there, this love for acting and singing made her parents look hard to get her the first job as chorus singer as an entry into the film world. Her first job earned her ₹45 a month!
She was also inspired to work hard by watching the performances of artists like Yoga Mangalam, M.V. Rajamma and Vasantha.
Her first break as a leading lady came in when director K Subramaniyam signed her as the heroine for the film Vikata Yogi. Subramaniyam who had seen B.S Saroja on sets with different production was impressed by her talent. He cast her opposite then a star in his own right, Kumaresan.
Being a free-spirited person, she was always physically active in the film sets. She also tried and did the physical tasks her characters were required to do without much help from others.
Later on these sets she met her husband, T R Ramanna, who was working then as sound engineer for Subramaniyam. The duo fell in love, and chose to have a simple wedding in the temple with their parent’s blessing.
A few years down the line, she encouraged her husband to become a director. And together they started three production houses: R.R. Pictures, Vinayaga Pictures and Ganesh Pictures.
As a producer-director couple, they produced Periya Idaththu Pen which is B S Saroja’s favourite as it produced a super-duper hit song with MGR in western clothes! Other films produced by them are Panakkarak Kudumbam, Pasam, Kathavarayan, Thangachchurangam, Naan, Moondrezuthu, Sorgam and more.
B S Saroja managed the finances of their companies, not only that, she never shied away from having the money talk with her actors. She was a good paymaster who always paid salaries and advances on time. She visited the actors’ houses to pay them their dues; which was still a shocking behaviour for the society then.
In her illustrated career, B S Saroja, has worked with many leading men— her career’s greatest high came when she became the only leading lady who worked in cinema where MGR and Sivaji Ganesan worked together.
Koondukkili was produced by her and producer turned director husband. T R Ramanna, known for demanding work ethics and a man with great persuasive skills, created a blockbuster with help of his wife.
In her interview with the Hindu, she fondly recalls how professional and friendly both the matinée stars were during the shooting. Koondukkili, was written by social activist and reformist writer, Vindhan. The cinema was an instant classic and has stood the test of time.
B S Saroja is not only an actor, singer, producer, she is also a horticulturist! She loves growing flowers and fruits in her farm, which looked after with care and devotion for years. She even participated in flower shows and won few accolades.
After having three children and working tirelessly for three decades, she retired from acting around 1978. Many have speculated she stopped acting completely after the death of her husband, but she has refuted it. Later, she retired from the active role of the producer and spend her retirement with her family.
Currently, she lives with her music composer son Ganesh Ramanna and looks after her plants.
Image source: Wikipedia, IMDB, Telugu Wiki, edited on CanvaPro
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UP Boards Topper Prachi Nigam was trolled on social media for her facial hair; our obsession with appearance is harsh on young minds.
Prachi Nigam’s photo has been doing the rounds on social media for the right reasons. Well, scratch that- I wish the above statement were true. This 15-year-old girl should ideally be revelling in her spectacular achievement of scoring a whopping 98.05% and topping her tenth-grade boards. But oddly enough, along with her marks, it’s something else that garners more attention – her facial hair.
While the trolls are driving themselves giddy by mocking this girl who hasn’t even completed her school yet, the ones who are taking her side are going one step ahead – they are sharing her photoshopped pictures, sans the facial hair, looking nothing less than a celebrity with captions saying – “Prachi Nigam, ten years later”.
Doctors have already diagnosed her with PCOD in their comments, based on photographic evidence. While we have names for people shamed for their weight – body shaming, for their skin colour- racism, for their age- age shaming, for being a female- sexism, this category of shaming where one faces criticism for their appearance has no name. With that, it also has zero shame attached to it.
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