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For me, Regency Romance usually means Georgette Heyer's books. But I still haven't found another writer like her. Let me tell you why.
For me, Regency Romance usually means Georgette Heyer’s books. But I still haven’t found another writer like her. Let me tell you why.
Let me introduce myself. I am a self-confessed, unabashed Regency Romance aficionado. For the uninitiated, Regency Romance is a sub-genre of historical romance novels set during the period of the English Regency or early 19th century.
Since I read my first ever Georgette Heyer novel (The Grand Sophy), I have endlessly searched library shelves and scoured book lists to find more writers like her. Alas, my search is in vain.
Ms Heyer is considered the Grand Dame of Regency Romances, some people even consider her to be the rightful heir to Jane Austen. However, I cannot agree with since, in my opinion, they write about different things.
Anyway, back to Ms Heyer. You will rarely find a Regency Romance novelist with her wit and charm, though there is no dearth of novels in this sub-genre.
Regency Romances are also called bodice rippers thanks to the high sexual content they contain which is absent in Ms Heyer’s books. However, my problem isn’t with the bodice-ripping. I am no prude neither can I point out any historical inaccuracy on the account of bodice-ripping. Well, I say, if you like it, rip the bodice away!
However, my real problem with the fresh crop of Regency Romance novels is with their depiction of the female protagonist or the ‘heroine.’ You would think they would be depicted in regressive or inferior roles. Far from it!
In fact, writers like Lisa Kleypas, Eloisa James and Julia Quinn introduce as many feminist tropes as possible in their books. According to the descriptions on the back covers of the books, the leading ladies are charming, intelligent, kind, generous and daring all rolled into one. But above everything else, they are closet feminists and can speak their minds and assert themselves.
I pick these books up with the singular hope that, in them, I will find a female character who will hopefully create a special place in my heart. You know like some heroines in Georgette Heyer’s books have. However, every single time I come away disappointed. This is mostly because, by the time I have read one-third of the book, the heroine has already started sounding annoying and silly.
The plot usually has her getting herself and the people around her in grave trouble. She has, in a bid to be assertive, failed to understand the logic of refraining from doing something foolishly adventurous.
Fortunately, since it’s fiction, everything ends in a ‘Happily Ever After.’ But if women in Regency England had, in reality, set out to do half the things these fictional women do, their population would seriously have dwindled.
I am a feminist and I am all for feminist based fiction. My only request is that let it sound reasonable, rather than preposterous! Give me another Arabella or Sophy or Fredrica – from Georgette Heyer’s novels. These women do nothing adventurous in life but still make me laugh. I refuse to believe there aren’t more writers like Ms Heyer, I’ll just have to dig deeper.
A version of this was earlier published here.
Picture credits: Photo by Gabby K from Pexels
Lawyer-Knitter-Reader-Dog Parent. I have two blogs - One knit at a Time (https://oneknitatatime.com/) and The Indefatigable Reader (https://indefatigablereader.wordpress.com/). Check them out if you like knitting or reading. read more...
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For International Day of Elimination of Violence Against Women, let's look at how we 'accept' mothers who avenge violence against their kids, but not wives who fight back.
The silver screen is replete with depictions of male rage and men engaging in violence, but when women engage in violence, even when it is reactionary violence, it doesn’t sit right with us. We allow mothers (as portrayed in Sridevi’s Mom and Raveena Tandon’s Maatr) to avenge their daughters and resort to violence when all else fails, but when the abuser is an intimate partner, the rules appear to be different.
Depictions of female rage on screen garner mixed reactions. We root for protagonists and films we agree with like Mom or Maatr, but there are also films like Darlings which drew flak for its depictions of reactionary violence.
This begs the question, which women on screen are allowed to fight back and why do we root for some of these characters while refusing to see where others come from?
This Generation To Generation Violence towards A Daughter-in-law Needs To Stop!
It is ironic how women in the same home do not think twice before harassing a woman who left her parents and family behind to live with her husband.
“My daughter needs a husband who listens to her. He should leave his family to stay with her after marriage. He should be well-off and not let her do chores.”
“I also need an obedient daughter-in-law, who will be an unpaid servant and a punching bag who shouldn’t have a life of her own.”
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