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When women finally rise and speak up for their rights, nothing will be able to stop them. Hum dekhenge. We shall see.
We will come,
From Kashmir, from Kanyakumari,
With our dupattas,
And our daughters.
We will come with our straight spines which Patriarchy could not break even after a thousand whips.
When you come with your batons and guns,
Just before you kill us,
We will write poetry of defiance and resistance,
On our skin.
On our bones.
In between our tongues.
When you bury us,
When you shut down every voice,
Our buried bodies will grow into trees.
And our daughters will taste every fruit from it.
You will teach them obedience,
They will scream back resistance.
On a dark alley, a little girl will quip, “Inquilab Zindabad.”
And a thousand others will march, like light.
Speaking truth to power.
When you again bring the guns to us,
We will wake up our dead daughters,
Whom you never let be born.
Women don’t forget two things,
When their rights are taken away,
And when their children are killed.
Every woman has a parallel world,
A world, where their rights are enjoyed
Where their daughters blossom,
Their birthdays celebrated and names remembered.
This time when you come to ravage us,
We will raise the dead daughters, the mothers, the grandmothers.
And the first mother, whom you deny,
Yet whose blood you still carry.
Remember when Invisibles march, empires fall, crowns tumble.
From a corner, a woman called “Iqbal Bano” in a black Saree will croon,
That day will mark the beginning of your fall.
The daughters are already marching with poetry and resistance in their skin.
Looking straight into your eyes,
Calling for your fall.
You still want to blame, the skirts and the shorts and the upbringing and the values
Look outside your window,
Women are marching,
Marking a new dawn.
Hello, Patriarchy, Are you listening?
“Hum Dekhenge: We will see.
The first paragraph is inspired by Nabiya Khan’s poem, “Aayega Inquilab.”
Image source: a still from the film Thappad
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Proud Indian. Senior Writer at Women's Web. Columnist. Book Reviewer. Street Theatre - Aatish. Dreamer. Workaholic. read more...
Women's Web is an open platform that publishes a diversity of views, individual posts do not necessarily represent the platform's views and opinions at all times.
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For International Day of Elimination of Violence Against Women, let's look at how we 'accept' mothers who avenge violence against their kids, but not wives who fight back.
The silver screen is replete with depictions of male rage and men engaging in violence, but when women engage in violence, even when it is reactionary violence, it doesn’t sit right with us. We allow mothers (as portrayed in Sridevi’s Mom and Raveena Tandon’s Maatr) to avenge their daughters and resort to violence when all else fails, but when the abuser is an intimate partner, the rules appear to be different.
Depictions of female rage on screen garner mixed reactions. We root for protagonists and films we agree with like Mom or Maatr, but there are also films like Darlings which drew flak for its depictions of reactionary violence.
This begs the question, which women on screen are allowed to fight back and why do we root for some of these characters while refusing to see where others come from?
This Generation To Generation Violence towards A Daughter-in-law Needs To Stop!
It is ironic how women in the same home do not think twice before harassing a woman who left her parents and family behind to live with her husband.
“My daughter needs a husband who listens to her. He should leave his family to stay with her after marriage. He should be well-off and not let her do chores.”
“I also need an obedient daughter-in-law, who will be an unpaid servant and a punching bag who shouldn’t have a life of her own.”
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