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Among all the uncertainties, all the ambiguities and all the pretences, there is always someone certain, solid and genuine. Find out...
Among all the uncertainties, all the ambiguities and all the pretences, there is always someone certain, solid and genuine. Find out…
Do you yearn for me as I do for you, to give me a hand on my final day?
They are afraid, they call you names, but they don’t see,
Among them all, you are the most faithful a friend can ever be.
While I conclude my life story, leaving it for wagging mouths to criticise, agape;
You will be the one who will take me out on my final act of escape.
When my show is done and down goes my curtain,
I know people will change, but among the uncertain; you – I know, will be my sole certain.
You lure me, entice me; tempting me to take that plunge once and for all;
Nice move; but you can’t deprive me of my fairytale end – to be saved by you, my charming prince standing tall!
You will take off my armour, scrape off my paint, tear me away from all pretence;
You will see me for what I am – skin, bones and hair – you will breakthrough my every defence.
You will break me down to my essentials; undress me, unchain me – of course, I will hence forever be yours to keep;
You, I know, are that friend, who will for the last time, tuck me into sleep…
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"I chose to go out into the remote, wild, unknown, and make it home," says entrepreneur Kiranjeet Ahluwalia Chaturvedi, who owns Birdsong & Beyond.
The story of my mountain home Birdsong & Beyond started taking shape in 2009, on the internet, the way many stories do these days.
My childhood fascination for a life in the Himalayas led to an internship with a central Himalayan NGO instead of a much prized corporate assignment. But when they offered me a full-time job, I refused. I was overcome by fear and a lack of confidence.
My other longings pulled me away – the longing to fit in, to earn validation from others. By my mid-30s, with all the trappings of a middle-class urban life in place, the call of the snows couldn’t be ignored anymore. So I got to work on it with clearer intentions and a stronger sense of what I needed for myself, and why.
Many Indian elderly are firm believers in enslaving a daughter-in-law in the name of tradition which is actually a tradition of oppression and not of religious faith.
Albeit, the popular culture has interpreted scriptures as suggesting that Kanyadaan is the supreme form of donation given to someone, the connotation that the word donation alludes to definitely objectifies the girl.
Even when the exegesis justify the act of giving away the daughter, considering it a ritual to mark the initiation of the daughter into her husband’s gotra and her becoming the part of his family tree.
There is no denial of the fact that this initiation is not required on the part of the groom thereby formally denoting the end of the filial ties with the daughter as it was popularly instructed to the bride during the Vidai ceremonies:
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