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Hum Paanch, one of the most popular serials of the nineties, still touches our hearts with its feminist portrayal of girls as they really are.
In the midst of the current saas bahu sagas where the ‘adarsh bahu’ is mostly shown as someone who is a sexist society’s dream come true, the empowering yet fun TV serials of yesteryear such as Hum Paanch makes us yearn for the days gone by.
So, when the cast recently decided to reunite after two decades to create a special episode, it surely warmed the cockles of our hearts. Hum Paanch was one of those serials that received a cult status with its content which everyone in the family found relatable and endearing.
Zee TV, which aired the show, had recently completed 25 years and hence plans on airing a three-hour long special episode to mark the occasion, the reunion of the Hum Paanch cast was a part of this episode.
Besides giving us one of India’s most beloved and powerful actors, Vidya Balan, along with other talented actors, Hum Paanch’s stellar cast shot to celebrityhood status because of its humorous and feminist content. The story revolved around a middle class man, Anand Mathur who always got into trouble due to his five daughters, Meenakshi, Radhika, Sweety, Kajal, and Chhoti. While the three elder daughters were from Anand’s first wife, the last two were from his second wife, Bina.
Stepmothers can be friends
The serial showed Anand visiting Bina’s place along with his three daughters to ask for her hand in marriage. Though Bina and her stepdaughters had a few clashes in the beginning, they became the closest friends post Bina’s marriage to Anand. Instead of showing a cruel or evil stereotypical stepmother, the serial showed how stepmothers could be nice and loving and the daughters in turn could accept them as one of their own.
Women who aspired for more than just a domestic existence and a pretty appearance
Meenakshi, Anand’s eldest daughter, is a feminist whom many ‘90’s girls grew up idolizing. Radhika, the second daughter, is an intelligent and geeky girl, with a hearing impairment once again showing the inclusive nature of the serial.
In the melee of different kinds of characters, the third daughter, Sweety was a Bollywood crazy girl, while the fourth daughter, Kajal was the neighbourhood gunda, Kajal Bhai. The youngest daughter, Choti was a gossipy little girl.
Instead of the portrayal of the ideal Indian daughters, so prevalent in today’s Hindi serials, whose only aim seems to be to learn household work to satisfy their in-laws and husbands post marriage, this assortment of real life girls whom a lot of us could identify with, was one of the reasons why we all loved the serial so much.
It did not go on to show strong willed and opinionated women in a negative light and neither did it have any set body standards for its female cast thus promoting body positivity in an era when the term has not even attained so much of popularity.
Hum Paanch, was a serial which we think believed in treating women simply as human beings, just like men which happens to be the basic essence of feminism and that is the reason why we will always love it and think of it with fond remembrance.
Kasturi’s debut novel, forthcoming in early 2021, had won the novel pitch competition by Half Baked Beans Publishers. She won the Runner Up Position in the Orange Flower Awards 2021 for Short Fiction. Her read more...
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People say that women are the greatest enemies of women. I vehemently disagree. It is the patriarchal mindset that makes women believe in the wrong ideology.
The entire world celebrates International Women’s Day on March 8, 2024. It should be a joyful day, but unfortunately, not all women are entitled to this privilege, as violence against women is at its peak. The experience of oppression pushes many women to choose freedom. As far as patriotism is concerned, feminism is not a cup of tea in this society.
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14 years after her last feature film Dhobi Ghat, storyteller extraordinaire comes up with her new film, Laapataa Ladies, a must watch.
*Some spoilers alert*
Every religion around the world dictates terms to women. The onus is always on women to be ‘modest’ and cover their faces and bodies so men can’t be “tempted”, rather than on men to keep their eyes where they belong and behave like civilized beings. So much so that even rape has been excused on the grounds of women eating chowmein or ‘men will be men’. I think the best Hindi movie retort to this unwanted advice on ‘akeli ladki khuli tijori ki tarah hoti hai’ (an alone woman is like an open jewellery box) came from Geet in Jab We Met – Kya aap gyan dene ke paise lete hain kyonki chillar nahin hain mere paas.
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